无力之王
高樹澪,柄泽次郎,内田裕也
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无力之王
高樹澪,柄泽次郎,内田裕也
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海的尽头是草原蒙语
陈宝国,马苏,阿云嘎,王锵,艾米,罗意淳,王楚然,黄尧,白宇帆,曹骏,张铭恩,丁程鑫,李滨,许还山,阿尤尔达迪,乌吉穆,巴音,巴森,江布拉,其那日图,巴德玛,哈玛,霍尔查,苏日雅,塔娜
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朱迪2019
蕾妮·齐薇格,贝拉·拉姆齐,卢夫斯·塞维尔,杰西·巴克利,迈克尔·刚本,勒温·劳埃德,芬·维特洛克,安迪·尼曼,费奈拉·伍尔加,罗伊斯·皮尔逊,约翰·达格尔什,菲尔·邓斯特,露西·拉塞尔,嘉玛-莉亚·德弗罗,菲利普·斯波,蒂姆·埃亨,宾利·卡鲁,朱利安·费罗,伊斯雷尔·鲁兹
HD中字
白日青春
黄秋生,周国贤,林诺
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再见,李可乐
闫妮,谭松韵,蒋龙,赵小棠,冯雷,李虎城,于谨维,高露,刘亚津,刘亚鹏,胡国雄,杨玉兰
高清完整版
剪刀2016
増田璃子,吉泽悠,芳本美代子,小松政夫,藤井武美,和泉ちぬ,广泽草,圆城寺彩,桥本真实,大竹浩一,横内亜弓,田中良子,真銅倫子,三谷麟太郎,神尾翠優,宇和千夏,本谷紗己
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.
Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.