迷情猴尾酒
Santiago Rodríguez-Costabal,Cristóbal Rodriguez-Costabal,Carmina Riego
BD高清
迷情猴尾酒
Santiago Rodríguez-Costabal,Cristóbal Rodriguez-Costabal,Carmina Riego
高清完整版
布拉格空少
Cameron Jackson,Dominik Eastley
高清版
海的尽头是草原蒙语
陈宝国,马苏,阿云嘎,王锵,艾米,罗意淳,王楚然,黄尧,白宇帆,曹骏,张铭恩,丁程鑫,李滨,许还山,阿尤尔达迪,乌吉穆,巴音,巴森,江布拉,其那日图,巴德玛,哈玛,霍尔查,苏日雅,塔娜
高清版
朱迪2019
蕾妮·齐薇格,贝拉·拉姆齐,卢夫斯·塞维尔,杰西·巴克利,迈克尔·刚本,勒温·劳埃德,芬·维特洛克,安迪·尼曼,费奈拉·伍尔加,罗伊斯·皮尔逊,约翰·达格尔什,菲尔·邓斯特,露西·拉塞尔,嘉玛-莉亚·德弗罗,菲利普·斯波,蒂姆·埃亨,宾利·卡鲁,朱利安·费罗,伊斯雷尔·鲁兹
HD中字
白日青春
黄秋生,周国贤,林诺
高清版
再见,李可乐
闫妮,谭松韵,蒋龙,赵小棠,冯雷,李虎城,于谨维,高露,刘亚津,刘亚鹏,胡国雄,杨玉兰
入围塔林电影节影评人之选竞赛。
Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)